Wednesday, May 1, 2013

21ST-CENTURY MUSIC / May 2013


21ST
CENTURY
MUSIC


May 2013

Volume 20, Number5



Chronicle of March 2013


Illustration / Benjamin Britten



Editorial Staff

Mark Alburger

EDITOR-PUBLISHER

Harriet March Page
ASSOCIATE EDITOR

Patti Noel Deuter
ASSISTANT EDITOR

Erling Wold
WEBMASTER

Elizabeth Agnew
Alexis Alrich
Katherine Buono
Ken Bullock
A.J. Churchill
David Cleary
Jeff Dunn
Phillip George
Elliot Harmon
Brian Holmes
Jeff Kaliss
John Lane
Arel Lucas
Michael McDonagh
Chip Michael
Tom Moore
William Rowland
Lisa Scola Prosek
Andrew Shapiro
Alice Shields
CORRESPONDENTS


INFORMATION FOR SUBSCRIBERS

21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219.

Subscription rates in the U.S. are $96.00 per year; subscribers elsewhere should add $48.00 for postage. Single copies of the current volume and back issues are $12.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. email: mus21stc@gmail.com.

Typeset in Times New Roman. Copyright 2013 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC.

The Journal is also online at 21st-centurymusic.com and 21st-centurymusic.blogspot.com


INFORMATION FOR CONTRIBUTORS

21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Copy should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors are encouraged to submit via e-mail.

Prospective contributors should consult The Chicago Manual of Style, 15th ed. (Chicago: University of Chicago Press, 2003), in addition to back issues of this journal. Copy should be sent to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. e-mail: mus21stc@gmail.com. Materials for review may be sent to the same address.


INFORMATION FOR ADVERTISERS

Send all inquiries to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. e-mail: mus21stc@gmail.com.

Chronicle of March 2013


March 1

George London Competition, Morgan Library, New York, NY.  "Dominic Armstrong’s gripping rendition of the mad scene from [Benjamin Britten's] Peter Grimes . . . was . . .   remarkable: an unsettling, powerful performance . . . .   Jonathan Michie . . .  brought a liedlike sense of poetry to Britten’s Look! Through the Port from Billy Budd; [John] Brancy sang Pierrot’s Tanzlied from [Erich] Korngold’s Tote Stadt with exquisite musicality and a natural sense of phrasing" [Corinna de Fonseca-Wollheim, The New York Times, 3/4/13].